Free Ebook The Oxford Book of Gothic TalesFrom Oxford University Press

Free Ebook The Oxford Book of Gothic TalesFrom Oxford University Press

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The Oxford Book of Gothic TalesFrom Oxford University Press

Free Ebook The Oxford Book of Gothic TalesFrom Oxford University Press

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"But sometimes when I wake in the grey morning, and between waking and sleeping, think of all those things that I must shut out from my sleeping and waking thoughts, I wonder was I right or was he? Was he mad, or was I idiotically incredulous? For--and it is this thing that haunts me--when I found them dead together in the vault, she had been buried five weeks. But the body that lay in John Hurst's arms, among the mouldering coffins of the Hursts of Hurstcote, was perfect and beautiful as when he first clasped her to his arms, a bride."
E. Nesbit's "The Hursts of Hurstcote" is only one of the many stories found in The Oxford Book of Gothic Tales, the first anthology of this spinetingling genre. Though Gothic fiction has generally been identified with Walpole's"Castle of Otranto" and the works of Ann Radcliffe, these thirty-seven selections compiled by Chris Baldick provide a unique look at the genre's development into its present-day forms. We see standard gothic elements of incest, murder, and greed in "The Poisoner of Montremos," a late eighteenth-century story by Richard Cumberland. We find in Poe's "The Fall of the House of Usher" the tale that set a new standard of decadence for Gothic stories. In Hawthorne's "Rappacini's Daughter," a young girl is raised on the very essence of poison. In Faulkner's "A Rose for Emily," a woman's death satisfies a neighborhood's curiosity with a bizarre discovery. In other tales, a ghost reveals his sin of parricide, madness drives a man to murder,and a young girl spends her lifetime locked in a single room. All these stories and more contain the common elements of the gothic tale: a warped sense of time, a claustrophobic setting, a link to archaic modes of thought, dynastic corruption, and the impression of a descent into disintegration. Yet they also reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world.
Bringing together the work of such writers as Robert Louis Stevenson, Eudora Welty, Thomas Hardy, Edgar Allan Poe, William Faulkner, Isak Dinesen, Arthur Conan Doyle, Joyce Carol Oates, Jorge Luis Borges, Eudora Welty, Patrick McGrath, and Isabel Allende, The Oxford Book of Gothic Tales presents a wide array of the sinister and unsettling for all lovers of ghost stories, fantasy, and horror.

• Sales Rank: #794581 in Books
• Published on: 1992-05-14
• Original language: English
• Number of items: 1
• Dimensions: 8.81" h x 1.88" w x 5.75" l,
• Binding: Hardcover
• 560 pages

From Publishers Weekly
The fog-enshrouded castle, the crumbling family manor; old secrets unveiled, curses cast, chains clanking, fear and trembling; dread, decay, disintegration, death--each of these trademarks of the well-made Gothic tale is vividly represented in this comprehensive anthology. Informatively introduced and chronologically arranged, the 37 stories showcase the Gothic tradition from its late-18th-century inception up to the present. Included are genre classics from such illustrious practitioners as Poe, Hawthorne, Lovecraft and McGrath, as well as gems from literary masters like Faulkner, Welty, Oates and Borges, all of whom dabble(d) to fine effect in the form. Among the highlights are "The Parricide Punished," an anonymous entry from 1799 set in an enormous castle and narrated by a guest whose visit becomes a waking nightmare; Eden Glasgow's "Jordan's End," in which a long history of family madness gives rise to a most untimely death; F. M. Mayor's "Miss DeMannering of Asham," the story of two women on holiday who get more local color than they bargained for when they learn the shocking truth about DeMannering's dead infant; and especially Ray Russell's bizarre "Sardonicus," whose title character gives the kind of villainous performance that evokes Vincent Price in his horror-movie heyday.
Copyright 1992 Reed Business Information, Inc.

Review
`Review from previous edition the perfect book to put beside the bed of a timorous guest you wish would go home' The Economist

`a sumptuous spread of eeriness, horror and decay, plus an astute introduction that lays bare the gothic's vitals...there will be something in this book to chill the blood of any reader. ' John Carey, Sunday Times

`Armed with this anthology...the faint-hearted connoisseur can make his way down the gloomy halls and secret passageways of the genre. ' Peter Ackroyd, The Times

`this is a generous selection from the eighteenth century up to the present day ... Deliciously unsettling. ' The Observer

About the Author

About the Editor:
Chris Baldick is a Lecturer in English at the University of Lancaster. He is the author of In Frankenstein's Shadow: Myth andMonstrosity in Nineteenth-Century Writing (1987).

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The Oxford Book of Gothic TalesFrom Oxford University Press PDF

The Oxford Book of Gothic TalesFrom Oxford University Press PDF

The Oxford Book of Gothic TalesFrom Oxford University Press PDF

The Oxford Book of Gothic TalesFrom Oxford University Press PDF